Christian Classics

Benjamin Jowett · 11 of 17

Essay on Natural Religion. · § 4.

Natural religion is not only concerned with the history of the religions of nature, nor does it only reflect that ‘light of the ’ which philosophy imparted; it has to do with the present as well as with the past, with Christian as well as countries. Revealed religion passes into natural, and natural religion exists side by side with revealed; there is a truth independent of Christianity; and the daily life of Christian men is very different from the life of Christ. This general or natural religion may be compared to a wide-spread lake, shallow and motionless, rather than to a living water,—the overflowing of the Christian faith over a professing Christian world, the level of which may be at one time higher or lower; it is the religion of custom or prescription, or rather the unconscious influence of religion on the minds of men in general; it includes also the speculative idea of religion when taken off the Christian foundation. Natural religion, in this modern sense, has a relation both to philosophy and life. That is to say (1), it is a theory of religion which appeals to particular evidences for the being of a God, though resting, perhaps more safely, on the general that ‘this universal frame cannot want a mind’. But it has also a relation to life and practice (2), for it is the religion of the many; the average, as it may be termed, of religious feeling in a Christian land, the leaven of the Gospel hidden in the world. St. Paul speaks of those ‘who knowing not the law are a law unto themselves’. Experience seems to show that something of the same kind must be acknowledged in Christian as well as in countries; which may be conveniently considered under the head of natural religion.

Arguments for the being of a God are of many kinds. There are arguments from final causes, and arguments from first causes, and arguments from ideas; logical forms, as they appear to be, in which different metaphysical schools mould their faith. Of the first sort the following may be taken as an instance:—A person walking on the seashore finds a watch or other piece of mechanism; he observes its parts, and their adaptation to each other; he sees the watch in motion, and comprehends the aim of the whole. In the formation of that senseless material he perceives that which satisfies him that it is the work of intelligence, or, in other words, the marks of design. And looking from the watch to the world around him, he seems to perceive innumerable ends, and innumerable actions tending to them, in the composition of the world itself, and in the structure of plants and animals. Advancing a step further, he asks himself the question, why he should not acknowledge the like marks of design in the moral world also; in passions and actions, and in the great end of life. Of all there is the same account to be given—‘the machine of the world’, of which God is the Maker.

This is the celebrated argument from final causes for the being of a God, the most popular of the arguments of natural religion, partly because it admits of much ingenious illustration, and also because it is tangible and intelligible. Ideas of a Supreme Being must be given through something, for it is impossible that we should know Him as He is. And the truest representation that we can form of God is, in one sense, that which sets forth His nature most vividly; yet another condition must also be remembered, viz. that this representation ought not only to be the most distinct, but the highest and holiest possible. Because we cannot see Him as He is, that is no reason for attributing to Him the accidents of human personality. And, in using figures of speech, we are bound to explain to all who are capable of understanding, that we speak in a figure only, and to remind them that names by which we describe the being or attributes of God need a correction in the silence of thought. Even logical categories may give as false a notion of the Divine nature in our own age, as graven images in the days of the patriarchs. However legitimate or perhaps necessary the employment of them may be, we must place ourselves not below, but above them.

(α) In the argument from final causes, the work of the Creator is compared to a work of art. Art is a poor figure of nature; it has no freedom or luxuriance. Between the highest work of art and the lowest animal or vegetable production, there is an interval which will never be spanned. The miracle of life derives no illustration from the handicraftsman putting his hand to the chisel, or anticipating in idea the form which he is about to carve. More truly might we reason, that what the artist is, the God of nature is not. For all the processes of nature are unlike the processes of art. If, instead of a watch, or some other piece of curious and exquisite workmanship, we think of a carpenter and a table, the force of the argument seems to vanish, and the illustration becomes inappropriate and unpleasing. The ingenuity and complexity of the structure, and not the mere appearance of design, makes the watch a natural image of the creation of the world.

(β) But not only does the conception of the artist supply no worthy image of the Creator and His work; the idea of design which is given by it requires a further correction before it can be transferred to nature. The complication of the world around us is quite different from the complexity of the watch. It is not a regular and finite structure, but rather infinite in irregularity; which instead of design often exhibits absence of design, such as we cannot imagine any architect of the world contriving; the construction of which is far from appearing, even to our feeble intelligence, the best possible, though it, and all things in it, are very good. If we fix our minds on this very phrase ‘the machine of the world’, we become aware that it is unmeaning to us. The watch is separated and isolated from other matter; dependent indeed on one or two general laws of nature, but otherwise cut off from things around. But nature, the more we consider it, the more does one part appear to be linked with another; there is no isolation here; the plants grow in the soil which has been preparing for them through a succession of geological eras, they are fed by the rain and nourished by light and air; the animals depend for their life on all inferior existences.

(γ) This difference between art and nature leads us to observe another defect in the argument from final causes—that, instead of putting the world together, it takes it to pieces. It fixes our minds on those parts of the world which exhibit marks of design, and withdraws us from those in which marks of design seem to fail. There are formations in nature, such as the hand, which have a kind of mechanical beauty, and show in a striking way, even to an uneducated person, the wonder and complexity of creation. In like manner we feel a momentary surprise in finding out, through the agency of a micro scope, that the minutest creatures have their fibres, tissues, vessels. And yet the knowledge of this is but the most fragmentary and superficial knowledge of nature; it is the wonder in which philosophy begins, very different from the comprehension of this universal frame in all its complexity and in all its minuteness. And from this elementary notion of nature, we seek to form an idea of the Author of nature. As though God were in the animal frame and not also in the dust to which it turns; in the parts, and not equally in the whole; in the present world, and not also in the antecedent ages which have prepared for its existence.

(δ) Again, this teleological argument for the being of God gives an erroneous idea of the moral government of the world. For it leads us to suppose that all things are tending to some end; that there is no prodigality or waste, but that all things are, and are made, in the best way possible. Our faith must be tried to find a use for barren deserts, for venomous reptiles, for fierce wild beasts, nay, for the sins and miseries of mankind. Nor does ‘there seem to be any resting place’, until the world and all things in it are admitted to have some end impressed upon them by the hand of God, but unseen to us. Experience is cast aside while our meditations lead us to conceive the world under this great form of a final cause. All that is in nature is best; all that is in human life is best. And yet every one knows instances in which nature seems to fail of its end,—in which life has been cut down like a flower, and trampled under foot of man.

(ε) There is another way in which the argument from final causes is suggestive of an imperfect conception of the Divine Being. It presents God to us exclusively in one aspect, not as a man, much less as a spirit holding communion with our spirit, but only as an artist. We conceive of Him, as in the description of the poet, standing with compasses over sea and land, and designing the wondrous work. Does not the image tend to make the spiritual creation an accident of the material? For although it is possible, as Bishop Butler has shown, to apply the argument from final causes, as a figure of speech, to the habits and feelings, this adaptation is un natural, and open even to greater objections than its application to the physical world. For how can we distinguish true final causes from false ones? how can we avoid confusing what ought to be with what is—the fact with the law?

(ζ) If we look to the origin of the notion of a final cause, we shall feel still further indisposed to make it the category under which we sum up the working of the Divine Being in creation. As Aristotle, who probably first made a philosophical use of the term, says, it is transferred from mind to matter; in other words, it clothes facts in our ideas. Lord Bacon offers another warning against the employment of final causes in the service of religion: ‘they are like the vestals to God, and are barren.’ They are a figure of speech which adds nothing to our knowledge. When applied to the Creator, they are a figure of a figure; that is to say, the figurative conception of the artist embodied or idealized in his work, is made the image of the Divine Being. And no one really thinks of God in nature under this figure of human skill. As certainly as the man who found a watch or piece of mechanism on the seashore would conclude, ‘here are marks of design, indications of an intelligent artist’, so certainly, if he came across the meanest or the highest of the works of nature, would he infer, ‘this was not made by man, nor by any human art’. He sees in a moment that the seaweed beneath his feet is something different in kind from the productions of man. What should lead him to say, that in the same sense that man made the watch, God made the seaweed? For the seaweed grows by some power of life, and is subject to certain physiological laws, like all other vegetable or animal substances. But if we say that God created this life, or that where this life ends there His creative power begins, our analogy again fails, for God stands in a different relation to animal and vegetable life from what the artist does to the work of his hands. And, when we think further of God, as a Spirit without body, creating all things by His word, or rather by His thought, in an instant of time, to whom the plan and execution are all one, we become absolutely bewildered in the attempt to apply the image of the artist to the Creator of the world.

These are some of the points in respect of which the argument from final causes falls short of that conception of the Divine nature which reason is adequate to form. It is the beginning of our knowledge of God, not the end. It is suited to the faculties of children rather than of those who are of full age. It belongs to a stage of metaphysical philosophy, in which abstract ideas were not made the subject of analysis; to a time when physical science had hardly learnt to conceive the world as a whole. It is a devout thought which may well arise in the grateful heart when contemplating the works of creation, but must not be allowed to impair that higher intellectual conception which we are able to form of a Creator, any more than it should be put in the place of the witness of God within.

Another argument of the same nature for the being of a God is derived from first causes, and may be stated as follows:—All things that we see are the results or effects of causes, and these again the effects of other causes, and so on through an immense series. But somewhere or other this series must have a stop or limit; we cannot go back from cause to cause without end. Otherwise the series will have no basis on which to rest. Therefore there must be a first cause, that is, God. This argument is sometimes strengthened by the further supposition that the world must have had a beginning, it seems to follow, that it must have a cause external to itself which made it begin; a principle of rest, which is the source of motion to all other things, as ancient philosophy would have expressed it,—hovering in this as in other speculations intermediate between the physical and metaphysical world.

The difficulty about this argument is much the same as that respecting the preceding. So long as we conceive the world under the form of cause and effect, and suppose the first link in the chain to be the same with those that succeed it, the argument is necessary and natural; we cannot escape from it without violence to our reason. Our only doubt will probably be, whether we can pass from the notion of a first cause to that of an intelligent Creator. But when, instead of resting in the word ‘cause’, we go on to the idea, or rather the variety of ideas which are signified by the word cause’. the argument begins to dissolve. When we say, ‘God is the cause of the world’, in what sense of the word cause is this? Is it as life or mind is a cause, or the hammer or hand of the workman, or light or air, or any natural substance? Is it in that sense of the word cause, in which it is almost identified with the effect? or in that sense in which it is wholly external to it? Or when we endeavour to imagine or conceive a common cause of the world and all things in it, do we not perceive that we are using the word in none of these senses; but in a new one, to which life, or mind, or many other words, would be at least equally applicable? ‘God is the life of the world.’ That is a poor and somewhat unmeaning expression to indicate the relation of God to the world; yet life is a subtle and wonderful power, pervading all things, and in various degrees animating all things. ‘God is the mind of the world.’ That is still inadequate as an expression, even though mind can act where it is not, and its ways are past finding out. But when we say, ‘God is the cause of the world’, that can be scarcely said to express more than that God stands in some relation to the world touching which we are unable to determine whether He is in the world or out of it, ‘immanent’ in the language of philosophy, or transcendent’.

There are two sources from which these and similar proofs of the being of a God are derived: first, analogy; secondly, the logical necessity of the human mind. Analogy supplies an image, an illustration. It wins for us an imaginary world from the void and formless infinite. But whether it does more than this must depend wholly on the nature of the analogy. We cannot argue from the seen to the unseen, unless we previously know their relation to each other. We cannot say at random that another life is the double or parallel of this, and also the development of it; we cannot urge the temporary inequality of this world as a presumption of the final injustice of another. Who would think of arguing from the vegetable to the animal world, except in those points where we had already discovered a common principle? Who would reason that animal life must follow the laws of vegetation in those points which were peculiar to it? Yet many theological arguments have this fundamental weakness; they lean on faith for their own support; they lower the heavenly to the earthly, and may be used to prove anything.

The other source of these and similar arguments is the logical necessity of the human mind. A first cause, a beginning, an infinite Being limiting our finite natures, is necessary to our conceptions. ‘We have an idea of God, there must be something to correspond to our idea,’ and so on. The flaw here is equally real, though not so apparent. While we dwell within the forms of the understanding and acknowledge their necessity, such arguments seem unanswerable. But once ask the question, this necessity? was there not a time when the human mind felt no such necessity? is the necessity really satisfied? or is there not some further logical sequence in which I am involved which still remains unanswerable? the whole argument vanishes at once, as the chimera of a metaphysical age. The seventeenth and eighteenth centuries have been peculiarly fertile in such arguments; the belief in which, whether they have any value or not, must not be imposed upon us as an article of faith.

If we say again, ‘that our highest conception must have a true existence’, which is the well-known argument of Anselm and Des Cartes for the being of God, still this is no more than saying, in a technical or dialectical form, that we cannot imagine God without imagining that He is. Of no other conception can it be said that it involves existence; and hence no additional force is gained by such a mode of statement. The simple faith in a Divine Being is cumbered, not supported, by evidences derived from a metaphysical system which has passed away. It is a barren logic that elicits the more meagre conception of existence from the higher one of Divinity. Better for philosophy, as well as faith, to think of God at once and immediately as ‘Perfect Being’.

Arguments from first and final causes may be regarded as a kind of poetry of natural religion. There are some minds to whom it would be impossible to conceive of the relation of God to the world under any more abstract form. They, as well as all of us, may ponder in amazement on the infinite contrivances of creation. We are all agreed that none but a Divine power framed them. We differ only as to whether the Divine power is to be regarded as the hand that fashioned, or the intelligence that designed them, or an operation inconceivable to us which we dimly trace and feebly express in words.

That which seems to underlie our conception both of first and final causes, is the idea of law which we see not broken or intercepted, or appearing only in particular spots of nature, but everywhere and in all things. All things do not equally exhibit marks of design, but all things are equally subject to the operation of law. The highest mark of intelligence pervades the whole; no one part is better than an other; it is all ‘very good’. The absence of design, if we like so to turn the phrase, is a part of the design. Even the less comely parts, like the plain spaces in a building, have elements of use and beauty. He who has ever thought in the most imperfect manner of the universe which modern science unveils, needs no evidence that the details of it are incapable of being framed by anything short of a Divine power. Art, and nature, and science, these three,—the first giving us the conception of the relation of parts to a whole; the second, of endless variety and intricacy, such as no art has ever attained; the third, of uniform laws which amid all the changes of created things remain fixed as at the first, reaching even to the heavens,—are the witnesses of the Creator in the external world.

Nor can it weaken our belief in a Supreme Being, to observe that the same harmony and uniformity extend also to the actions of men. Why should it be thought a thing incredible that God should give law and order to the spiritual, no less than the natural creation? That human beings do not ‘thrust or break their ranks’; that the life of nations, like that of plants or animals, has a regular growth; that the same strata or stages are observable in the religions, no less than the languages of man kind, as in the structure of the earth, are strange reasons for doubting the of God. Perhaps it is even stranger, that those who do not doubt should eye with jealousy the accumulation of such facts. Do we really wish that our conceptions of God should only be on the level of the ignorant; adequate to the passing emotions of human feeling, but to reason inadequate? That Christianity is the confluence of many channels of human thought does not interfere with its Divine origin. It is not the less immediately the word of God because there have been preparations for it in all ages, and in many countries.

The more we take out of the category of chance in the world either of nature or of mind, the more present evidence we have of the faithfulness of God. We do not need to have a chapter of accidents in life to enable us to realize the existence of a personal God, as though events which we can account for were not equally His work. Let not use or custom so prevail in our minds as to make this higher notion of God cheerless or uncomfortable to us. The rays of His presence may still warm us, as well as enlighten us. Surely He, in whom we live and move and have our being, is nearer to us than He would be if He interfered occasionally for our benefit.

‘The curtain of the physical world is closing in upon us’: What does this mean but that the arms of His intelligence are embracing us on every side? We have no more fear of nature; for our knowledge of the laws of nature has cast out fear. We know Him as He shows himself in them, even as we are known of Him. Do we think to draw near to God by returning to that state in which nature seemed to be without law, when man cowered like the animals before the storm, and in the meteors of the skies and the motions of the heavenly bodies sought to read the purposes of God respecting himself? Or shall we rest in that stage of the knowledge of nature which was common to the philosophers and to the Fathers of the Christian Church? or in that of two hundred years ago, the laws of the heavenly bodies were discovered? or of fifty years ago, before geology had established its truths on sure foundations? or of thirty years ago, the investigation of old language had revealed the earlier stages of the history of the human mind. At which of these resting-places shall we pause to renew the between Reason and Faith? Rather at none of them, if the first condition of a true faith be the belief in all true knowledge.

To trace our belief up to some primitive revelation, to entangle it in a labyrinth of proofs or analogies, will not infix it deeper or elevate its character. Why should we be willing to trust the of the father of the human race rather than our own, the faith of primitive rather than of civilized times? Or why should we use arguments about the Infinite Being, which, in proportion as they have force, reduce him to the level of the finite; and which seem to lose their force in proportion as we admit that God’s ways are not as our ways, nor His thoughts as our thoughts? The belief is strong enough without those fictitious supports; it cannot be made stronger with them. While nature still presents to us its world of unexhausted wonders; while sin and sorrow lead us to walk by faith, and not by sight; while the soul of man departs this life knowing not whither it goes; so long will the belief endure of an Almighty Creator, from whom we came, to whom we return.

Why, again, should we argue for the immortality of the soul from the analogy of the seed and the tree, or the state of human beings before and after birth, when the ground of proof in the one case is wanting in the other, namely, experience? Because the dead acorn may a century hence become a spreading oak, no one would infer that the corrupted remains of animals will rise to life in new forms. The error is not in the use of such illustrations as figures of speech, but in the allegation of them as proofs or evidences after the failure of the analogy is perceived. Perhaps it may be said that in popular discourse they pass unchallenged; it may be a point of honour that they should be maintained, because they are in Paley or Butler. But evidences for the many which are not evidences for the few are treacherous props to Christianity. They are always liable to come back to us detected, and to need some other fallacy for their support.

Let it be considered, whether the evidences of religion should be separated from religion itself. The Gospel has a truth perfectly adapted to human nature; its origin and diffusion in the world have a history like any other history. But truth does not need evidences of the truth, nor does history separate the proof of facts from the facts themselves. It was only in the decline of philosophy the Greeks began to ask about the criterion of knowledge. What would be thought of an historian who should collect all the testimonies on one side of some disputed question, and insist on their reception as a political creed? Such evidences do not require the hand of some giant to pull them down; they fall the moment they are touched. But the Christian faith is in its holy place, uninjured by the fall; the truths of the existence of God, or of the immortality of the soul, are not periled by the observation that some analogies on which they have been supposed to rest are no longer tenable. There is no use in attempting to prove by the misapplication of the methods of human knowledge, what we ought^ never to doubt.

‘There are two things,’ says a philosopher of the last century; ‘of which it may be said, that the more we think of them, the more they fill the soul with awe and wonder,—the starry heaven above, and the moral law within. I may not regard either as shrouded in darkness, or look for or guess at either in what is beyond, out of my sight. I see them right before me, and link them at once with the consciousness of my own existence. The former of the two begins with place, which I inhabit as a member of the outward world, and extends the connexion in which I stand with it into immeasurable space; in which are worlds upon worlds, and systems upon systems; and so on into the endless times of their revolutions, their beginning and continuance. The second begins with my invisible self; that is to say, my personality, and presents me in a world which has true infinity, but which the lower faculty of the soul can hardly scan; with which I know myself to be not only as in the world of sight, in an accidental connexion, but in a necessary and universal one. The first glance at innumerable worlds annihilates any importance which I may attach to myself as an animal structure; whilst the matter out of which it is made must again return to the earth (itself a mere point in the universe), after it has been endued, one knows not how, with the power of life for a little season. The second glance exalts me infinitely as an intelligent being, whose personality involves a moral law, which reveals in me a life distinct from that of the animals, independent of the world of sense. So much at least I may infer from the regular determination of my being by this law, which is itself infinite, free from the limitations and conditions of this present life.’

So, in language somewhat technical, has Kant described two great principles of natural religion. ‘There are two witnesses,’ we may add in a later strain of reflection, ‘of the being of God; the order of nature in the world, and the progress of the mind of man. He is not the order of nature, nor the progress of mind, nor both together; but that which is above and beyond them; of which they, even if conceived in a single instant, are but the external sign, the highest evidences of God which we can conceive, but not God Himself. The first to the ancient world seemed to be the work of chance, or the personal operation of one or many Divine beings. We know it to be the result of laws endless in their complexity, and yet not the less admirable for their simplicity also. The second has been regarded, even in our own day, as a series of errors capriciously invented by the ingenuity of individual men. We know it to have a law of its own, a continuous order which cannot be inverted; not to be confounded with, yet not wholly separate from, the law of nature and the will of God. Shall we doubt the world to be the creation of a Divine power, only because it is more wonderful than could have been conceived by “them of old time”; or human reason to be in the image of God, because it too bears the marks of an overruling law or intelligence?’